Figure of speech
Figure of speech |
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"Figures
of speech" redirects here. For the hip hop group, see Figures of Speech. |
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A figure of speech or rhetorical figure is
a word or phrase that entails an intentional deviation from ordinary language
use in order to produce a rhetorical effect.[1] Figures of speech are traditionally classified
into schemes, which vary
the ordinary sequence or pattern of words, and tropes, where words
are made to carry a meaning other than what they ordinarily signify. |
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Whitehall is
a road in the City of Westminster, London used synecdochically to
refer to the entire UK civil service, as many government departments are
nearby. |
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An example of a
scheme is a polysyndeton, the
repeating of a conjunction before every element in a list, whereas the
conjunction typically would appear only before the last element, as in
"Lions and tigers and bears, oh my!"—emphasizing the danger and
number of animals more than the prosaic wording with
only the second "and". An example of a trope is a metaphor, describing one
thing as something that it clearly is not, in order to lead the mind to
compare them, in "All the world's a stage." |
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Four
rhetorical operationsEdit |
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Main
article: Rhetorical operations |
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Classical rhetoricians classified
figures of speech into four categories or quadripita ratio:[2] |
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·
addition (adiectio), also
called repetition/expansion/superabundance |
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·
omission (detractio), also
called subtraction/abridgement/lack |
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·
transposition (transmutatio),
also called transferring |
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·
permutation (immutatio), also
called switching/interchange/substitution/transmutation |
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These categories
are often still used. The earliest known text listing them, though not
explicitly as a system, is the Rhetorica ad Herennium, of
unknown authorship, where they are called πλεονασμός (pleonasmos - addition),
ἔνδεια (endeia - omission), μετάθεσις (metathesis - transposition) and
ἐναλλαγή (enallage - permutation).[3] Quintillian then mentioned them in Institutio Oratoria.[4] Philo of Alexandria also listed them as addition
(πρόσθεσις - prosthesis), subtraction (ἀφαίρεσις - afairesis), transposition
(μετάθεσις - metathesis), and transmutation (ἀλλοίωσις - alloiosis).[5] |
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ExamplesEdit |
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Figures
of speech come in many varieties. The aim is to use the language inventively
to accentuate the effect of what is being said. A few examples follow: |
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·
"Around the rugged rocks the ragged rascal ran"
is an example of alliteration, where the
consonant r is used repeatedly. |
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Whereas,
"Sister Suzy‘s sewing socks for soldiers" is a particular form of
alliteration called sibilance, because it
repeats the letter s. |
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Both are commonly
used in poetry. |
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·
"She would run up the stairs and then a new set of
curtains" is a variety of zeugma called a syllepsis. Run up refers
to ascending and also to manufacturing. The effect is enhanced by the
momentary suggestion, through a pun, that she might be
climbing up the curtains. The ellipsis or omission
of the second use of the verb makes the reader think harder about what is
being said. |
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·
"Painful pride" is an oxymoron where two
contradictory ideas are placed in the same sentence. |
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·
"An Einstein" is an example of synecdoche, as it uses a
particular name to represent a class of people: geniuses. |
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·
"I had butterflies in my stomach" is a metaphor, referring to a
nervous feeling as if there were flying insects in one's stomach. |
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To say "it was
like having some butterflies in my stomach" would be a simile, because it uses
the word like which is missing in the
metaphor. |
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To say "It was
like having a butterfly farm in my stomach", "It felt like a
butterfly farm in my stomach", or "I was so nervous that I had a
butterfly farm in my stomach" could be a hyperbole, because it is
exaggerated. |
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·
"That filthy place was really dirty" is an
example of tautology, as there are the two words
('filthy' and 'dirty') having almost the same meaning and are repeated so as
to make the text more emphatic. |
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TypesEdit |
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Scholars of
classical Western rhetoric have divided figures of speech into two main
categories: schemes and tropes. Schemes (from the
Greek schēma, 'form or shape') are figures of speech that
change the ordinary or expected pattern of words. For example, the phrase,
"John, my best friend" uses the scheme known as apposition. Tropes (from
Greek trepein, 'to turn') change the general meaning of
words. An example of a trope is irony, which is the use of words to convey
the opposite of their usual meaning ("For Brutus is an honorable man; /
So are they all, all honorable men"). |
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During the Renaissance, scholars
meticulously enumerated and classified figures of speech. Henry Peacham, for example, in
his The Garden of Eloquence (1577), enumerated 184
different figures of speech. Professor Robert DiYanni, in his book Literature: Reading Fiction, Poetry, Drama and the Essay[6] wrote: "Rhetoricians
have catalogued more than 250 different figures of speech,
expressions or ways of using words in a nonliteral sense." |
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For simplicity,
this article divides the figures between schemes and tropes, but does not
further sub-classify them (e.g., "Figures of Disorder"). Within
each category, words are listed alphabetically. Most entries link to a page
that provides greater detail and relevant examples, but a short definition is
placed here for convenience. Some of those listed may be considered rhetorical devices, which are similar in many ways. |
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SchemesEdit |
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Schemes
are words or phrases whose syntax, sequence, or pattern occurs in a manner
that varies from an ordinary usage. |
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·
accumulation: Accumulating
arguments in a concise forceful manner. |
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·
adnomination: Repetition of
words with the same root
word. |
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·
alliteration: a literary
stylistic device, where a series of words in a row have the same first
consonant sound. |
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Example: "She
sells sea shells by the sea shore". |
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Example: "I've
told you a million times." |
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·
anacoluthon: Transposition of
clauses to achieve an unnatural order in a sentence. |
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·
anadiplosis: Repetition of a
word at the end of a clause and then at the beginning of its succeeding
clause. |
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·
anaphora: Repetition of the same word or set
of words in a paragraph. |
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·
anastrophe: Changing
the object, subject and verb order in a clause. |
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·
anti-climax: It is when a
specific point, expectations are raised, everything is built-up and then
suddenly something boring or disappointing happens. |
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Example:
"People, pets, batteries, ... all are dead." |
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·
anthimeria: Transformation of
a word of a certain word class to another word class. |
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·
antimetabole: A sentence
consisting of the repetition of words in successive clauses, but in reverse
order. |
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·
antirrhesis: Disproving an
opponent's argument. |
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·
antistrophe: Repetition of the
same word or group of words in a paragraph in the end of sentences. |
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·
antithesis: Juxtaposition of
opposing or contrasting ideas. |
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·
aphorismus: Statement that
calls into question the definition of a word. |
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·
aposiopesis: Breaking off or
pausing speech for dramatic or emotional effect. |
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·
apposition: Placing of two
statements side by side, in which the second defines the first. |
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·
assonance: Repetition of
vowel sounds: "Smooth move!" or "Please leave!" or
"That's the fact Jack!" |
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·
asteismus: Mocking answer or
humorous answer that plays on a word. |
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·
asterismos: Beginning a
segment of speech with an exclamation of a word. |
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·
asyndeton: Omission of
conjunctions between related clauses. |
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·
cacophony: Words producing a
harsh sound. |
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·
cataphora: Co-reference of
one expression with another expression which follows it, in which the latter
defines the first. (example: If you need one, there's a towel in the top
drawer.) |
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·
classification: Linking a proper
noun and a common noun with an article |
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·
chiasmus: Two or more
clauses are related to each other through a reversal of structures in order
to make a larger point |
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·
climax: Arrangement of
words in order of descending to ascending order. |
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·
commoratio: Repetition of an idea, re-worded |
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·
conduplicatio: Repetition of a key word |
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·
conversion (word formation): An unaltered
transformation of a word of one word class into another word class |
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·
consonance: Repetition of consonant sounds,
most commonly within a short passage of verse |
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·
correlative verse: Matching items in two sequences |
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·
diacope: Repetition of a
word or phrase with one or two intervening words |
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·
dubitatio: Expressing doubt
and uncertainty about oneself |
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·
ellipsis: Omission of words |
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·
elision: Omission of one
or more letters in speech, making it colloquial |
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·
enallage: Wording ignoring
grammatical rules or conventions |
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·
enjambment: Incomplete
sentences at the end of lines in poetry |
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·
epanalepsis: Ending sentences
with their beginning. |
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·
epistrophe: (also known as
antistrophe) Repetition of the same word or group of words at the end of
successive clauses. The counterpart of anaphora |
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·
epizeuxis: Repetition of a
single word, with no other words in between |
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·
half
rhyme:
Partially rhyming words |
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·
hendiadys: Use of two nouns
to express an idea when it normally would consist of an adjective and a noun |
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·
hendiatris: Use of three
nouns to express one idea |
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·
homeoptoton: ending the last
parts of words with the same syllable or letter.[10] |
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·
homographs: Words we write
identically but which have a differing meaning |
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·
homoioteleuton: Multiple words
with the same ending |
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·
homonyms: Words that are
identical with each other in pronunciation and spelling, but different in
meaning |
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·
homophones: Words that are
identical with each other in pronunciation, but different in meaning |
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·
homeoteleuton: Words with the
same ending |
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·
hyperbaton: Two ordinary
associated words are detached.[12][13] The term may also be used more
generally for all different figures of speech which transpose natural word
order in sentences.[13] |
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·
hyperbole: Exaggeration of a
statement |
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·
hypozeuxis: Every clause
having its own independent subject and predicate |
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·
hysteron proteron: The inversion of the usual temporal
or causal order between two elements |
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·
isocolon: Use of parallel
structures of the same length in successive clauses |
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·
internal
rhyme:
Using two or more rhyming words in the same sentence |
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·
litotes derived from
a Greek word meaning "simple", is a figure of speech which employs
an understatement by using double negatives or, in other words, positive
statement is expressed by negating its opposite expressions. |
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Examples: "not
too bad" for "very good" is an understatement as well as a
double negative statement that confirms a positive idea by negating the
opposite. Similarly, saying "She is not a beauty queen," means
"She is ugly" or saying "I am not as young as I used to
be" in order to avoid saying "I am old". Litotes, therefore,
is an intentional use of understatement that renders an ironical effect. |
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·
merism: Referring to a
whole by enumerating some of its parts |
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·
mimesis: Imitation of a
person's speech or writing |
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·
onomatopoeia: Word that
imitates a real sound (e.g. tick-tock or boom) |
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·
paradiastole: Repetition of the
disjunctive pair "neither" and "nor" |
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·
parallelism: The use of
similar structures in two or more clauses |
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·
paraprosdokian: Unexpected ending
or truncation of a clause |
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·
paremvolia: Interference of speak by speaking[14] |
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·
parenthesis: A parenthetical
entry |
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·
paroemion: Alliteration in
which every word in a sentence or phrase begins with the same letter |
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·
parrhesia: Speaking openly
or boldly, in a situation where it is unexpected (e.g. politics) |
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·
pleonasm: The use of more
words than are needed to express meaning |
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·
polyptoton: Repetition of
words derived from the same root |
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·
polysyndeton: Close repetition
of conjunctions |
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·
pun: When a word or
phrase is used in two (or more) different senses |
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·
rhythm: A synonym
for parallelism[15] |
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·
sibilance: Repetition of
letter 's', it is a form of consonance |
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·
sine
dicendo:
An inherently superfluous statement, the truth value of which can easily be
taken for granted. When held under scrutiny, it becomes readily apparent that
the statement has not in fact added any new or useful information to the
conversation (e.g. 'It's always in the last place you look.') |
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·
solecism: Trespassing
grammatical and syntactical rules |
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·
spoonerism: Switching place
of syllables within two words in a sentence yielding amusement |
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·
superlative: Declaring
something the best within its class i.e. the ugliest, the most precious |
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·
synathroesmus: Agglomeration of
adjectives to describe something or someone |
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·
syncope: Omission of parts of a word or
phrase |
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·
symploce: Simultaneous use
of anaphora and epistrophe: the repetition of the same word or group of words
at the beginning and the end of successive clauses |
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·
synchysis: Words that are
intentionally scattered to create perplexment |
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·
synesis: Agreement of
words according to the sense, and not the grammatical form |
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·
synecdoche: Referring to a
part by its whole or vice versa |
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·
synonymia: Use of two or
more synonyms in the same clause or sentence |
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·
tautology: Redundancy due to superfluous
qualification; saying the same thing twice |
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·
tmesis: Insertions of
content within a compound word |
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·
zeugma: The using of one verb for two or
more actions |
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TropesEdit |
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Tropes
are words or phrases whose contextual meaning differs from the manner or
sense in which they are ordinarily used. |
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·
allegory: A metaphoric narrative in
which the literal elements indirectly reveal a parallel story of symbolic or
abstract significance.[17][18][19] |
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·
allusion: Covert reference
to another work of literature or art |
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·
ambiguity: Phrasing which can
have two meanings |
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·
anacoenosis: Posing a question
to an audience, often with the implication that it shares a common interest
with the speaker |
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·
analogy: A comparison |
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·
anapodoton: Leaving a common
known saying unfinished |
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·
antanaclasis: A form of pun in which a
word is repeated in two different senses.[20] |
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·
anthimeria: A substitution of
one part of speech for another, such as noun for a verb and vice versa.[21] |
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·
anthropomorphism: Ascribing human characteristics to
something that is not human, such as an animal or a god (see zoomorphism) |
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·
antimetabole: Repetition of
words in successive clauses, but in switched order |
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·
antiphrasis: A name or a
phrase used ironically. |
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·
antistasis: Repetition of a
word in a different sense. |
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·
antonomasia: Substitution of a
proper name for a phrase or vice versa |
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·
aphorism: Briefly phrased,
easily memorable statement of a truth or opinion, an adage |
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·
apologia: Justifying one's
actions |
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·
aporia: Faked or sincere
puzzled questioning |
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·
apophasis: (Invoking) an
idea by denying its (invocation) |
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·
appositive: Insertion of a
parenthetical entry |
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·
apostrophe: Directing the attention away from
the audience to an absent third party, often in the form of a personified
abstraction or inanimate object. |
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·
archaism: Use of an
obsolete, archaic word (a word used in olden language, e.g. Shakespeare's
language) |
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·
bathos: Pompous speech
with a ludicrously mundane worded anti-climax |
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·
burlesque metaphor: An amusing, overstated or grotesque
comparison or example. |
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·
catachresis: Blatant misuse of
words or phrases. |
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·
cataphora: Repetition of a
cohesive device at the end |
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·
categoria: Candidly
revealing an opponent's weakness |
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·
cliché: Overused phrase
or theme |
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·
circumlocution: Talking around a
topic by substituting or adding words, as in euphemism or periphrasis |
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·
congeries: Accumulation of
synonymous or different words or phrases together forming a single message |
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·
correctio: Linguistic device
used for correcting one's mistakes, a form of which is epanorthosis |
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·
dehortatio: discouraging
advice given with seeming sagacity |
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·
denominatio: Another word
for metonymy |
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·
diatyposis: The act of giving
counsel |
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·
double
negative:
Grammar construction that can be used as an expression and it is the
repetition of negative words "I haven't never owed nothing to no
one" |
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·
dirimens copulatio: Balances one
statement with a contrary, qualifying statement[22] |
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·
distinctio: Defining or
specifying the meaning of a word or phrase you use |
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·
dysphemism: Substitution of a
harsher, more offensive, or more disagreeable term for another. Opposite
of euphemism |
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·
dubitatio: Expressing doubt
over one's ability to hold speeches, or doubt over other ability |
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·
ekphrasis: Lively describing
something you see, often a painting |
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·
epanorthosis: Immediate and
emphatic self-correction, often following a slip
of the tongue |
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·
encomium: A speech
consisting of praise; a eulogy |
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·
enumeratio: A sort of
amplification and accumulation in which specific aspects are added up to make
a point |
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·
epicrisis: Mentioning a
saying and then commenting on it |
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·
epiplexis: Rhetorical
question displaying disapproval or debunks |
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·
epitrope: Initially
pretending to agree with an opposing debater or invite one to do something |
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·
erotema: Synonym for rhetorical question |
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·
erotesis: Rhetorical question asked in confident expectation
of a negative answer |
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·
euphemism: Substitution of a
less offensive or more agreeable term for another |
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·
grandiloquence: Pompous speech |
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·
exclamation: A loud calling or
crying out |
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·
humour: Provoking
laughter and providing amusement |
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·
hyperbaton: Words that
naturally belong together separated from each other for emphasis or effect |
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·
hyperbole: Use of
exaggerated terms for emphasis |
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·
hypocatastasis: An implication or
declaration of resemblance that does not directly name both terms |
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·
hypophora: Answering one's
own rhetorical question at length |
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·
hysteron proteron: Reversal of anticipated order of
events; a form of hyperbaton |
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·
Illeism: is the act of
referring to oneself in the third person instead of first person. |
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·
innuendo: Having a hidden
meaning in a sentence that makes sense whether it is detected or not |
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·
inversion: A reversal of
normal word order, especially the placement of a verb ahead of the subject
(subject-verb inversion). |
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·
litotes: Emphasizing the
magnitude of a statement by denying its opposite |
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·
malapropism: Using a word
through confusion with a word that sounds similar |
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·
meiosis: Use of
understatement, usually to diminish the importance of something |
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·
memento verbum: Word at the top of the tongue,
recordabantur |
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·
merism: Referring to a
whole by enumerating some of its parts |
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·
metalepsis: Figurative speech
is used in a new context |
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·
metonymy: A thing or
concept is called not by its own name but rather by the name of something
associated in meaning with that thing or concept |
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·
Negative question: questions that contain a negative
word in the question itself such as, "Didn't you go to the pick-up
point?" |
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·
non sequitur: Statement that
bears no relationship to the context preceding |
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·
occupatio see apophasis: Mentioning
something by reportedly not mentioning it |
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·
onomatopoeia: Words that sound
like their meaning |
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·
oxymoron: Using two terms
together, that normally contradict each other |
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·
par'hyponoian: Replacing in a
phrase or text a second part, that would have been logically expected. |
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·
paradiastole: Extenuating a
vice in order to flatter or soothe |
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·
paradox: Use of apparently contradictory
ideas to point out some underlying truth |
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·
paraprosdokian: Phrase in which
the latter part causes a rethinking or reframing of the beginning |
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·
paralipsis: Drawing attention
to something while pretending to pass it over |
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·
parody: Humouristic
imitation |
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·
paronomasia: Pun, in which
similar-sounding words but words having a different meaning are used |
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·
pathetic fallacy: Ascribing human conduct and
feelings to nature |
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·
periphrasis: A synonym
for circumlocution |
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·
personification/prosopopoeia/anthropomorphism:
Attributing or applying human qualities to inanimate objects, animals, or
natural phenomena |
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·
pleonasm: The use of more
words than is necessary for clear expression |
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·
praeteritio: Another word
for paralipsis |
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·
procatalepsis: Refuting anticipated
objections as part of the main argument |
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·
proslepsis: Extreme form
of paralipsis in
which the speaker provides great detail while feigning to pass over a topic |
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·
prothesis: Adding a syllable
to the beginning of a word |
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·
proverb: Succinct or
pithy, often metaphorical, expression of wisdom commonly believed to be true |
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·
pun: Play on words
that will have two meanings |
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·
redundancy: refers to
information that is expressed more than once |
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·
rhetorical question: Asking a question as a way of
asserting something. Asking a question which already has the answer hidden in
it. Or asking a question not for the sake of getting an answer but for
asserting something (or as in a poem for creating a poetic effect) |
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·
satire: Humoristic
criticism of society |
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·
sensory detail imagery: sight, sound, taste, touch, smell |
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·
sesquipedalianism: use of long and obscure words |
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·
simile: Comparison
between two things using like or as |
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·
snowclone: Alteration
of cliché or phrasal template |
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·
style: how information
is presented |
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·
superlative: Saying that
something is the best of something or has the most of some quality, e.g. the
ugliest, the most precious etc. |
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·
syllepsis: The use of a word
in its figurative and literal sense at the same time or a single word used in relation to two other
parts of a sentence although the word grammatically or logically applies to
only one |
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·
syncatabasis (condescension,
accommodation): adaptation of style to the level of the audience |
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·
synchoresis: A concession made
for the purpose of retorting with greater force. |
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·
synecdoche: Form of metonymy, referring to a
part by its whole, or a whole by its part |
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·
synesthesia: Description of
one kind of sense impression by using words that normally describe another. |
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·
tautology: Superfluous repetition of the same
sense in different words Example: The children gathered in a round circle |
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·
transferred epithet: A synonym for hypallage. |
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·
truism: a self-evident
statement |
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·
tricolon
diminuens:
Combination of three elements, each decreasing in size |
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·
tricolon
crescens:
Combination of three elements, each increasing in size |
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·
verbal paradox: Paradox specified to language |
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·
verba ex ore: Taking the words out of someone’s mouth,
speaking of what the interlocutor wanted to say.[14] |
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·
verbum volitans: A word that floats in the air, on which
everyone is thinking and is just about to be imposed.[14] |
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·
zeugma: Use of a single verb to describe
two or more actions |
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·
zoomorphism: Applying animal
characteristics to humans or gods |
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See
alsoEdit |
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·
Idiom |
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ReferencesEdit |
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CitationsEdit |
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1. ^ Mar, Emanuel del (1842). "A Grammar of the
English Language ... In a series of familiar lectures, etc". Archived from the original on
2016-05-08. Retrieved 2015-12-02. |
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2.
^ Jansen, Jeroen (2008) Imitatio Archived 2015-07-14 at the Wayback Machine ISBN 978-90-8704-027-7 Summary Archived2008-12-05 at the Wayback Machine translated to English
by Kristine Steenbergh. Quote from the summary: |
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Using these formulas, a pupil
could render the same subject or theme in a myriad of ways. For the mature
author, this principle offered a set of tools to rework source texts into a
new creation. In short, the quadripartita ratio offered the student or author
a ready-made framework, whether for changing words or the transformation of
entire texts. Since it concerned relatively mechanical procedures of
adaptation that for the most part could be learned, the techniques concerned
could be taught at school at a relatively early age, for example in the
improvement of pupils’ own writing. |
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3. ^ Book IV, 21.29, pp.303–5 |
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6. ^ Robert DiYanni, Literature:
Reading Fiction, Poetry, Drama and the Essay, Second Edition,
McGraw-Hill, ISBN 0-07-557112-9,
p. 451 |
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7. ^ Maunder, Samuel (1841). The scientific and
literary treasury – Samuel Maunder – Google Books. Archived from the original on
2017-09-06. Retrieved 2013-05-23. |
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8. ^ Crabb, George (1823). Universal Technological
Dictionary Or Familiar Explanation of the Terms Used … – George Crabb –
Google Books. Archived from the original on 2017-09-06.
Retrieved 2013-05-23. |
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9. ^ Jacobs, Noah Jonathan (1969). Naming-day in Eden: The
Creation and Recreation of Language – Noah Jonathan Jacobs – Google Books. Archived from the original on
2017-09-06. Retrieved 2013-05-23. |
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10. ^ "Henry Peachum.,
The Garden of Eloquence (1593): Schemas". Archived from the original on 25
September 2013. Retrieved 22 April2013. |
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11. ^ Bernard Marie Dupriez (1991). A Dictionary of
Literary Devices: Gradius, A-Z. University of Toronto Press.
p. 213. ISBN 978-0-8020-6803-3. Archived from the original on 7 January
2014. Retrieved 31 May 2013.Dupriez, Bernard Marie (1991). A Dictionary of
Literary Devices: Gradus, A-Z. University of Toronto Press. p. 213. ISBN 978-0-8020-6803-3. Archived from the original on
2014-01-07. |
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12. ^ Kevin Wilson; Jennifer Wauson
(2010). The AMA Handbook of
Business Writing: The Ultimate Guide to Style, Grammar, Usage, Punctuation,
Construction, and Formatting. AMACOM Div American Mgmt Assn. p. 224. ISBN 978-0-8144-1589-4. Archived from the original on
2013-12-05. |
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13. ^ a b Stephen Cushman; Clare Cavanagh;
Jahan Ramazani; Paul Rouzer (26 August 2012). The Princeton
Encyclopedia of Poetry and Poetics: Fourth Edition. Princeton University Press.
p. 647. ISBN 978-1-4008-4142-4. Archived from the original on 3 November
2013. |
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14. ^ a b c Cosmo, Lepota L (2019). "Superspeech and Its Rhetoric
Figures". Education
Journal. II (2): 21–28. doi:10.31058/j.edu.2019.22001. |
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15. ^ "rhythm –
definition and examples of rhythm in phonetics and poetics". Grammar.about.com. Archived from the original on
2013-05-14. Retrieved 2013-05-23. |
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17. ^ Kennedy et al, 2006 p. 4-5 |
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18. ^ Quinn, 1999. p. 12 |
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19. ^ Baldick,2008. p. 7 |
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20. ^ Corbett and Connors, 1999. p.62 |
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21. ^ Corbett and Connors, 1999. p. 64-65 |
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22. ^ "Archived
copy". Archived from the original on
2016-07-10. Retrieved 2017-03-15. |
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23. ^ Corbett and Connors. 1999. p.69-70 |
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24. ^ Corbett and Connors, 1999. p.60 |
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SourcesEdit |
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·
Baldrick, Chris. 2008. Oxford Dictionary of Literary Terms. Oxford
University Press. New York. ISBN 978-0-19-920827-2. |
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·
Corbett, Edward P. J. and Connors, Robert J.
1999. Style and Statement. Oxford University Press. New
York, Oxford. ISBN 0-19-511543-0. |
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·
Kennedy, X.J. et al.
2006. The Longman Dictionary of Literary Terms: Vocabulary for the
Informed Reader. Pearson, Longman. New York. ISBN 0-321-33194-X. |
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·
Forsyth, Mark. 2014. The Elements of Eloquence. Berkley Publishing
Group/Penguin Publishing. New York. ISBN 978-0-425-27618-1. |
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·
Quinn, Edward. 1999. A Dictionary of Literary and Thematic Terms.
Checkmark Books. New York. ISBN 0-8160-4394-9. |
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·
"Silva Rhetorica:
The Forest of Rhetoric". Brigham Young University. |
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External
linksEdit |
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·
Figure of speech by
theidioms.com |
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RELATED ARTICLES |
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Ancient
Latin book on rhetoric |
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Wikipedia
glossary |
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Content is available under CC BY-SA 3.0 unless otherwise noted. |
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Desktop |
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Figure of Speech
Examples |
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A figure of speech is a word or phrase that possesses a
separate meaning from its literal definition. It can be a metaphor or simile, designed to make a comparison. It can be the repetition
of alliteration or the exaggeration of hyperbole to provide a dramatic effect. |
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In truth, there are a wealth of these
literary tools in the English language. But, let's start out by exploring
some of the most common figure of speech examples. |
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Advertisement |
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Figures of Speech |
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Figures of speech lend themselves
particularly well to literature and poetry. They also pack a punch in
speeches and movie lines. Indeed, these tools abound in nearly every corner
of life. Let's start with one of the more lyrical devices, alliteration. |
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Alliteration |
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Alliteration is the repetition of the beginning
sounds of neighboring words. |
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Examples include: |
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Anaphora |
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Anaphora is a technique where several phrases
or verses begin with the same word or words. |
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Examples include: |
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Assonance |
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Assonance is the repetition of vowel sounds (not
just letters) in words that are close together. The sounds don't have to be
at the beginning of the word. |
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Examples include: |
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Euphemism |
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Euphemism is a mild, indirect, or vague term
that often substitutes a harsh, blunt, or offensive term. |
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Examples include: |
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Hyperbole |
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Hyperbole uses exaggeration for emphasis or
effect. |
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Examples include: |
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Irony |
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Irony occurs when there's a marked contrast
between what is said and what is meant, or between appearance and reality. |
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Examples include: |
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Metaphor |
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A metaphor makes a comparison between two unlike
things or ideas. |
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Examples include: |
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Onomatopoeia |
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Onomatopoeia is the term for a word that sounds
like what it is describing. |
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Examples include: |
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Oxymoron |
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An oxymoron is two contradictory terms used
together. |
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Examples include: |
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Personification |
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Personification gives human qualities to non-living
things or ideas. |
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Examples include: |
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Simile |
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A simile is a comparison between two unlike
things using the words "like" or "as." |
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Examples include: |
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Synecdoche |
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Synecdoche occurs when a part is represented by
the whole or, conversely, the whole is represented by the part. |
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Examples include: |
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Understatement |
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An understatement occurs when something is said to make
something appear less important or less serious. |
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Examples include: |
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Give Your Writing Some Style |
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Perhaps this sampling of figures of speech
will offer a nice springboard for you to sprinkle a variety of stylistic and rhetorical
devices into your writing. |
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The goal is to be able to express yourself
in the more creative, interesting, and eye-catching manner. |
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Since poetry married figurative language a
long time ago, take a look at these Examples of Lyric Poetry and see how many figures of speech you
can spot! |
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